(Pre-Production) Script

Setting: Rainbow bridge, early morning (sunrise), calm se
-Establishing shot- pans right across rocks to ocean.
-Mid-long shot- Protagonist perched on a rock looking out to see, he is silhouetted but can be seen looking around.

• Camera pans back - countered to the establishing shot, before jumping back to the character

-Prop usage; Spray paint, Mobile phone-

•  -Close-up- Protagonists lower half, and hand in frame - rough camera shots - he is spray painting the concrete beneath him, however what he is painting is not in frame. The camera then pulls back to the same shot, only now we see all of the Protagonist as he continues painting.

=Spray Can=       

• Protagonist is now shot from the front with his back to the sea, again he is                silhouetted/shaded. He is looking down at his image which the viewer still can not see.

-In frame; Protagonist, Image, Sea, shade+light-

• The Protagonist then seats himself in the middle of the image. The audience see it is what looks like a jaunted crosshair. As he begins to seat the camera jumps to another angle further back, giving the viewer a greater sense of what's around.
• -Low Angle Shot- As though the camera is lying on the ground, we now the see Protagonists face in detail, we see that he is a teenager; sporting a hoody, glasses and jeans/chinos.

-Music fades in: 'Top Of The World' - The Carpenters-
-Prop Usage; Mobile-

• -Mid-shot- The Protagonist stirs and reaches into his pocket, he pulls out his mobile phone.
• -OTS shot- The Protagonist looks at his phone for a moment, before returning it to his pocket. She shot then jumps to a mid-long angle, as the Protagonist rises.

-Prop Usage; Rock-

• -Close-up/Mid-shot- The Protagonist is now rooting through rocks, we see only his torso down as he pushes rocks aside for a moment before selecting one of decent size.
• -Mid-shot- The camera is now facing away from the sea towards the image in which the Protagonist was sitting. Protagonist brings the rock over and places it in the middle of the 'crosshair' before turning and walking away from the concrete slab.

Setting: Promenade Path
-No Props used from this point onward-
-Attempt to capture the public, random joggers/cyclists etc.- (Authenticity)

• Protagonist begins to walk from the previous location across a long path, the sun is still shining as we track the Protagonist from behind. (Attempt to capture passers-by). Then the same shot length only from infront, the Protagonist sweeps past the left side of the camera - ending up behind it. (Again, try to capture the public)
• -Mid-long shot- Railway bridge, all of the archway is in frame, behind it is the sea. Protagonist continues and walks to the left side of the camera.
• -Mid-long shot- Underpass, the Protagonist is silhouetted due to lack of light, however the walls are still vaguely visible (Urban settings)

Setting: House
-No props used-

• The Protagonist walks down a street and stops outside a house. He is looking into the garden for a moment, before shaking his head, sighing, and walking in.
• -OTS shot- Protagonist walks into his garden. We see a car, and the colours are very vibrant as the Protagonist drudges in.

-Final establishing shot of surrounding environment i.e. houses and park-